Neighbours. Saigon.
A photography story
von Julie Levet
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Über das Buch
In Neighbours, French-Vietnamese photographer Julie Levet - Huynh Quan Dat takes us inside the hidden world of Saigon’s alleyways and apartment buildings. Shot in July 2023 and March 2025, the series captures fleeting encounters, intimate moments, and the quiet poetry of everyday life.
With a curious and tender eye, Levet explores the blurred line between public and private space. Her images reveal invisible threads that connect people, places, and emotions — a visual story of neighbours, known or unknown, who share the same walls.
This zine is both a tribute to the beauty of ordinary moments, and an invitation to pause, look closer, and feel the silent stories that surround us.
With a curious and tender eye, Levet explores the blurred line between public and private space. Her images reveal invisible threads that connect people, places, and emotions — a visual story of neighbours, known or unknown, who share the same walls.
This zine is both a tribute to the beauty of ordinary moments, and an invitation to pause, look closer, and feel the silent stories that surround us.
Autorenwebsite
Eigenschaften und Details
- Hauptkategorie: Kunst & Fotografie
- Weitere Kategorien Straßenfotografie
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Projektoption: US Letter-Format, 22×28 cm
Seitenanzahl: 84 - Veröffentlichungsdatum: Juli 09, 2025
- Sprache English
- Schlüsselwörter neighbours, street photography, vietnam, saigon
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Über den Autor
Julie LEVET
Paris, France
Julie Levet - Huynh Quan Dat is a French-Vietnamese photographer and brand strategist based in Paris. Inspired by Steve Mc Curry and Cédric Roux, she uses photography to explore themes of memory, identity, and the quiet beauty of everyday life. Her visual style blends street photography, photo reportage, and landscape with poetic storytelling, often captured during long journeys or intimate urban wanderings. Neighbours is her first self-published zine — a tribute to Saigon’s hidden life and the invisible threads that connect people and places.
