I think of photographs as slices of experience rather than static representations. I collect images together, juxtapose them in diptychs and organise these into visual narratives. When I’m taking pictures, I attend to light and movement rather than pictorial forms. I try to connect what I am seeing and feeling at the threshold of my perception where my intuition and attention meet. Over time I have found this more extempore approach produces material that opens doorways to new ways of seeing.